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The Nightingales of Troy Alice Fulton 9780393335446 Books

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The Nightingales of Troy Alice Fulton 9780393335446 Books

fulton's characters really do stay with you. i thought it was fascinating the way she shows annie in different stages of life, making it almost seem like she's a different character. i guess that would be true of any of us--if you take a snapshot of our lives once every thirty years, we would seem like a different person in each. i especially liked annie's youthful energy in the title story, although i didn't find "the real eleanor rigby" to be believable. i also enjoyed ruth, and charlotte, deeply flawed, was another one of my favorites. the nightingales is not a page turner; it's almost too subtle to make you cry, and it's not plot driven. i took me a while to finish, but i'm glad i did.


Tags : The Nightingales of Troy [Alice Fulton] on Amazon.com. *FREE* shipping on qualifying offers. <strong>“Outstanding....Alice Fulton reveals herself to be triumphantly at home in the short story.”―<em>Boston Sunday Globe</em></strong> In 1908,Alice Fulton,The Nightingales of Troy,W. W. Norton & Company,0393335445,FIC029000,Short Stories (Single Author),FICTION Short Stories (single author),Fiction,Fiction - General,Literature & literary studies,Short Story,catholicism; contemporary; debut novel; family; historical; hudson valley; interconnected; interlinked; linked; literary fiction; new york; ny; poet; short stories; story cycle; troy; women; women writers,catholicism;contemporary;debut novel;family;historical;hudson valley;interconnected;interlinked;linked;literary fiction;new york;ny;poet;short stories;story cycle;troy;women;women writers

The Nightingales of Troy Alice Fulton 9780393335446 Books Reviews

This absorbing novel about time and love will make you lose track of time. It's both a deep and funny book. The first story hooked me, and I looked forward to following my favorite characters through the century, seeing how they changed over time. This author creates vivid, believeable characters, whether men or women. I had my favorites but every one gave me something to think about. I was fascinated by the erudite Jesuit, the dreamy bootlegger, the cranky geezer who became a clown, the gloomy disc jockey, the old sailor whose father knew Herman Melville--and most of all, The Beatles, who play quite a large part in the hilarious "The Real Eleanor Rigby." It needs its own category seriously funny. There are so many surprises throughout as plot threads emerge and are resolved, and the writing is just gorgeous. I think I enjoyed the book so much because it's sometimes very witty and sometimes so very sad. This is a book I look forward to reading again. Highly recommended!
There is charm here, there is talent, there are warm moments, there is also straining for metaphors, far too many of them, jumpy POV's, far too may moments when the author is inside of a character's head so deeply that nobody else can get in, and times when you can't comprehend what is going on, and with who. These are the typical scars of a debut novel, that needed more honest editing.
The transition from poet to novelist was not a smooth one.
Not badly written, but not characters or situations that hold my interest. I'm live near Troy, so local references do catch my attention. Readers who are fond of connected stories as a genre might like the book much more than does this fan of longer works.
Alice Fulton is a wonderful poet, essayist, and now novelist. This book captures her elegant style, both elegiac and down-to-earth. Terrific book.
A semi-historical, semi-personal account that I ended up accidentally leaving at a checkout counter ... This locale always depresses me (a la Richard Russo). --- Guess I just wasn't in the mood for that bleakness.
I have been plugging away at this book because it was chosen by our book club, but - left to my own devices - I would simply put it down. I do not find it engaging at all. Every character is peculiar; most are ignorant in ways that are hard to understand given the times in which they live and their level of education The extreme depictions of Catholicism is almost embarrassing - I'm up to the 1950s and the characters still behave as though they never left Ireland during the famine. This is one of those books that leave me feeling that I must be missing something.
This series of connected short stories by one of America's leading poets demonstrates how an expertise at word choice and sentence-making, a sensitivity to the sound of the spoken language, and the use of idiom to carbon-date dialog, are the perfect tools for the task of writing personal fiction. Fulton's characters are developed almost entirely by what they say, either in dialog or, when they are tasked with narrating, recounting some part of the family history. The stories advance the fortunes and misfortunes of the women in the Garrahan family one decade at a time, and it is primarily the language, as spoken or recounted in thoughts, that evokes the times. For the most part this is a subtle effect, and Fulton is expert at adjusting word and syntax choices to locate her characters exactly in their times and places.
Place is also important to Fulton. The connected-stories structure is too compact to allow much ink to be spent on explication of the setting, the mid-Hudson city of Troy, New York. Instead, we learn about Troy mostly from the characters themselves, or the plot-lines. The women of the Garrahan family seem especially susceptible to a gravitational force that this city, old before its time, apparently exerts on them. (I, too, once lived in Troy, for a few years and as a student, and I can testify that my family, for one, is quite immune to its gravitational pull.)
I recently finished Andrea Barrett's "Servants Of The Map", one of my favorite short story collections of the past few years, and particularly enjoyed the conceit of the "connected" stories. There is a sense of resolution that I experienced reading the last story, the one that more or less ties up the references and relationships that were left hanging in earlier, seemingly unrelated stories. To me it's more than a short story collection - it's a new form of novel.
Alice Fulton's collection is even more straightforward and my new favorite, setting successive stories in successive decades of the Twentieth Century. The opening story is about birth and beginnings, the final story is about death and endings, and a close reading reveals many novelistic devices Fulton employs in the service of the short.
She may be a poet of the higher realms but her prose in this book is muscular and brilliantly appropriate. Beautiful sentences, beautifully crafted, never get in the way of the story she is telling; they just make the reader's experience richer and more satisfying (sorry, I am a recently quit smoker and we talk like that.)
I must add that she is also one funny poet. True, some of the women she inhabits in telling their stories are bereft of humor, but when her character is a woman of wit, she is hilarious.. This is a book that can ascend the heights of wit, and descend into deepest, desperate, darkness of the human condition, and return us to the heights, all within a few stories. I loved the roller coaster ride. Try it out.
fulton's characters really do stay with you. i thought it was fascinating the way she shows annie in different stages of life, making it almost seem like she's a different character. i guess that would be true of any of us--if you take a snapshot of our lives once every thirty years, we would seem like a different person in each. i especially liked annie's youthful energy in the title story, although i didn't find "the real eleanor rigby" to be believable. i also enjoyed ruth, and charlotte, deeply flawed, was another one of my favorites. the nightingales is not a page turner; it's almost too subtle to make you cry, and it's not plot driven. i took me a while to finish, but i'm glad i did.